Weekly castle picture from Japanese Castle Explorer no1

The first thing I’d like to do is to say a big thank you to the Gaijin life blog for the opportunity for me to do what I love doing, and that is talking about Japanese Castles.
Who am I? I’m Daniel O’Grady of the Japanese Castle Explorer website
I’m an Aussie and have been living here in Japan since 2001.

Well, the cherry blossoms are blooming all over Japan right now, and I was lucky enough to get myself to Kurume Castle just the other day. The city of Kurume is located in Fukuoka Prefecture on the island of Kyushu and interestingly, it is also the home of Brigestone tire company.

Little remains of Kurume Castle today, just sections of its stonework and moat. No matter its current state, the castle ruins look stunning with its flowers of Spring, under the blue sky.

Japanese traditional lacquer 1000$ iPhone cases

Have you ever heard of  Urushi?

Urushi is the traditional art of lacquering wood or almost anything. As for most Japanese art forms, we have to look for their origin in China. However, excavations in the Saitama prefecture (hihihi where I live) prove that there has been a lacquer culture in Japan since the early Jomon period 10000 – 250 B.C.. Lacquer was not only applied as a decoration, but also as a protection for wood and leather.  Some of the famous Dogu statues of the late Jomon period can be considered as the first art objects with lacquer decoration. In this same period there even existed an imperial lacquer department Koan 392 – 291 B.C.. The lacquer colour scheme used at that time was restricted to black and red. The evolution during the Yayoi period 250 B.C. – 250 was not very important. Worth mentioning are the fine kogai and armour with lacquer coatings. The only colours used are still black and red. The introduction of a new colour, namely gold lacquer kin urushi, took place in the Kofun period 250 – 552. After that period and the introduction of Buddhism in Japan new technique were introduce and the art when on!


Now Today in the moderne world of big metropolis and stylish technology we can have those

These 1000 U.S. dollars or 99,800Jp yen  iPhone cases are distributed by the Japanese mobile giant Softbank

They are traditionally lacquered by a company or branch of softbank called: Japan Texture. these 5 spledid cases where created under the supervision of a historian, since they are representing 5 famous Japanese samurai’s.

The cases are named after and designed to honor famed Japanese warriors like Date Masamune, Uesugi Kenshin and Naoe Kanetsugu just to name a few. Each one is decorate in elements that personify these legendary heroes, with gold dust highlights adding plenty of sparkle.

The famous Kyoto based lacquer ware manufacturer Zohiko was part of the collaboration to create these exquisite expensive iPhone cases.

Nobunaga Oda   織田 信長

Date Masamune 伊達 政宗

Kensin Uesugi 上杉 謙信

Naoe kanetsugu 直江兼続

Sanada Yukimura 真田 幸村

(if you click on the name if each samurai you will have a Wikipedia page that will open so you can learn more about these great samurai’s)

If 1000$ is not really in your budget and your still kindly will to get a lacquered case for you superb iPhone, Softbank offers an other series of cases in the 39,800 Yen ($407) range. Here are those models. Unfortunately for you (if you have big pockets) these are all limited editions only 50 of each model will be sold be sure to grab one quick.

Ever wonder about Japan’s crown jewels

I was recently reading a book about Japan history and I found some really nice information about the Imperial jewels.

It did motivate me to share it with you so after a bit more research I came up with this:

No visit to any capital  in the world is complete without seeing the country’s crown jewels. A famous example would be the Tower of London and its wonderful treasures! Kept safe behind tick glass casings, they intrigue and fascinate visitors who admire those golden treasures that make up a nation’s objects of royalty.

But out of all those majestic nations that have preserve the kingship lineage or that still preserve some kind of historical ties to royalty, one exception prevail Japan! There were never a visit in Japan that could have brought you to even think  about seeing the relics of the emperor of Japan. You could still see from a far distance, the place holding those wonderful object  but you will never even set a foot in the vicinity of the building.

Don’t be worry if I sound harsh, not even the emperor him self has seeing those object at lest not since the 12th century. Object that should be presented to him on is enthronement lay unseen and undistributed for 1000s of years, wrapped in many layers of cloths to be then stored in boxes.

Even if those items have not seeing the light for so long they have  played an incredibly important role in Japan. They are symbols of the power of the emperor of Japan; the mirror, the jewels and the famous sword.

Maybe one day we will have the chance to finally see them back as a wonderful token of Japanese history.

Found this wonderful picture of the Tokyo Imperial palace

Hoped you liked this funny historical fact about the Imperial Jewels of Japan

Manga Cafe’s 漫画喫茶 and Internet Cafe’s ネットカフェ

Manga Cafe’s 漫画喫茶 and Internet Cafe’s ネットカフェ

Internet and Manga cafe’s are everywhere in Japan.

They are now part of the modern Japanese culture. The internet cafe’s are the newest version of the original manga cafe. Manga Cafe’s or in Japanese mangakissa 漫画喫茶 made their debut in post world war 2. Back then, most people could not afford to buy manga’s or for the most fortunate ones the space restriction that many Japanese home have made it difficult to store those comic book.

But what exactly is a Maga or internet cafe?

Pretty easy! It’s a place where you can kick back and enjoy a good Manga ( japanese comic book) or surf the web.

Mostly like everything Japanese there is a bit more to it!  A lot of Japanese people go in those cafe only to relax and enjoy some good reading.  But there is a hole sub culture behind those cafe’s!

In Japanese it is mostly refered as netto kafe nanmin ネットカフェ難民 which literally mean Net cafe refugees.  In recent year in major cities like Tokyo, the price of living as sky rocketed, leaving many people with employment homeless. In august, 2007 the Health Ministry of Japan stated in a new conference that Around 5,400 people with no fixed address spend their nights at 24-hour Internet cafe’s across Japan, of whom 27 percent are in their 20s. Since then the government has being reluctant to release new numbers but the number of those refugee as most definitely sky rocketed!

Photo by Ryosuke Kawasaki

You must wonder why!? Why those homeless business man or woman would live there and not at the hotel or even a hostel?

Internet cafe’s are cheap usually 400yen an hour, plus the normally offer packages for long time periods. You can have a variety of different room types like: normal chairs, non-smoking seat, sofa, massage chair, party room, internet seat, pair seat, zashiki (a tatami), reclining seat and they even have some small futon rooms too. Then you have the other interesting aspect for those homeless business man the free stuff. In all manga and internet cafe’s you have a variety of free drinks and snakes all included in you basic prices. They also offer sheep convinces type food.

Photo by Ryosuke Kawasaki

You can also have access in your room or inside the cafe to movies,DVDs players, shower room, darts, magazines, PC class, music CDs, nail salon, pool table, newspapers, CATV/CS broadcast, table tennis, slot machine, tanning bed, mahjong and many more depending of the location.  All those services under 1400 or 1600yen a night which is way cheaper than a really crappy capsule hotel or anything in the cheap range.

The Geisha 芸者

The Geisha 芸者

Geisha are traditional entertainers in the field of Japanese arts and music. They mostly specialize in Japanese dance, singing, and a variety of instruments including hand drum, shoulder drum, shamisen or Japanese flute. They train throughout their lives, are very highly skilled, and some of the older geisha are even “living national treasures”, the highest status of artist in Japan. There is a really sad misconception about geisha being prostitute and it is seriously wrong to think about that. Of course in the Japanese culture prostitution always had a strong place but geisha were no part of that.

Geisha under the age of 20 or so are called maiko in southern Japan, and hangyoku in northern Japan. Contrary to popular misconception, girls only do five years of training if they begin in Kyoto at 15. In most other districts in Japan, girls who begin as hangyoku or maiko begin at 18, so only do two or three years, and if they are older than 20, they normally debut as ippon-san or geisha. Whether one debuts as a maiko or hangyoku, or as a geisha, it is rarely done without a year or so of training. After their years of preparation, new geisha debut either as hangyoku or as geisha depending on their age at the time they debut.

Geisha are called out to tea-houses or to events, functions and parties, to entertain. This kind of tradition of private entertainment was very common in the West too in previous centuries. Bach or Mozart would have been called out to play at the parties of lords and the nobility. In the West, this former tradition of private entertainment has largely evolved into large-scale public entertainment like ballet, or opera. In Japan, geisha also perform at large public events and annual dances, but the former tradition of small-scale private entertainment of customers having a private meal at a tea-house with friends or acquaintances and calling in geisha to entertain them as they eat and drink – has remained in Japan to the present-day. Geisha are very cultured independent businesswomen with their own customers, some of whom have been patrons for decades, and they often manage younger geisha too. Like any Western artist or musician or actress, they can and do fall in love and have relationships, but this is always entirely a private matter and never part of the job.

Is there any gaijin geisha!?

Yes there is one!

Here real name is Fiona Graham, she holds a PhD in Social Anthropology from the University of Oxford, and an M.B.A. from the same. Her first degrees was in psychology taken at Keio University, where she was the first Western woman to graduate. In 2007 as part of a social anthropology project she became the first gaijin geisha in the 400-year history of the geisha. For this she took the name Sayuki meaning transparent happiness. She work in Asakusa one of the oldest of Tokyo’s six remaining geisha districts. She has lived in a geisha house (okiya), and participating in banquets as a trainee for the past year. She has been training in several arts, and will specialize in yokobue (Japanese flute). Sayuki made her debut after a year of training which is normal timing in her district.Sayuki became a geisha initially with anthropological fieldwork in mind, but is currently planning to continue as an actively working geisha for some time. Sayuki has lectured at a number of universities around the world, and has published several books on Japanese culture. She is also an anthropological film director with credits on international broadcasters.

The history of Bushido 武士道

Bushido 武士道

For any martial art practitioner and Japanese history fans the word bushido is well-known, but for many people this word means nothing. What is bushido? In this post I will try to write and explain to you the meaning and the virtues associated to this term. Bushido could be simply referred as the feudal code of the Japanese knights, but in my opinion and for many historian it would be over simplifying things.

Bushido in English could be translated as the way of the warrior, a stat of mind and conduct a warrior should follow. The first concept of bushido appeared around 712 AD, back then it was meer poetic writing about the ideal comportment of an educated warrior. It is only at the beginning of the Muromachi era (1336-1573) that the concept of bushido started to take form.

Back in 1371 two major clan were warring to gain control over Japan. This conflict is known as the Genpei war, opposing the Minamoto and Taira clans. Ultimately the Minamoto clan won and created the kamakura shogunate. But this event changed the face of war and warriors in Japan. This war helped produce a document called the Heike Monogatar 平家物語,  the story is episodic in nature and designed to be told in a series of nightly installments. It is primarily a samurai epic focusing on warrior culture an ideology that ultimately laid the groundwork for bushido.

Here is a passage if that tale:

The sound of the Gion Shōja bells echoes the impermanence of all things; the color of the sāla flowers reveals the truth that the prosperous must decline. The proud do not endure, they are like a dream on a spring night; the mighty fall at last, they are as dust before the wind.

祇園精舎の鐘の声、諸行無常の響きあり。娑羅双樹の花の色、盛者必衰の理をあらわす。
おごれる人も久しからず、唯春の夜の夢のごとし。たけき者も遂にはほろびぬ、偏に風の前の塵に同じ。

During  the Sengoku-period 戦国時代 (Warring States period from 15th century to the beginning of the 17th century), bushido was only directed towards the pursuit of military knowledge. A famous samurai by the name of Kato Kiyomasa stated :

If a man does not investigate into the matter of Bushido daily, it will be difficult for him to die a brave and manly death. Thus, it is essential to engrave this business of the warrior into one’s mind well. One should put forth great effort in matters of learning. One should read books concerning military matters, and direct his attention exclusively to the virtues of loyalty and filial piety….Having been born into the house of a warrior, one’s intentions should be to grasp the long and the short swords and to die.

In the 1600 to the mid-19th century Japan entered the Sakoku period under the control of the Tokugawa shogunate. During this time Japan was changing and the position of the samurai also changed. There were no real wars going on during  this period and the role and the code of the samurai had to change. The bushido literature of this time contains much thought relevant to a warrior class seeking more general application of martial principles and experience in peacetime, as well as reflection on the land’s long history of war.

Bushido expanded and formalized the earlier code of the samurai, and stressed frugality, loyalty, mastery of martial arts, and honor to the death. Under the bushido ideal, if a samurai failed to hold his honor he could regain it by performing seppuku (ritual suicide). Bushidō also includes compassion for those of lower station, and for the preservation of one’s name.Early bushidō literature further enforces the requirement to conduct oneself with calmness, fairness, justice, and propriety. The relationship between learning and the way of the warrior is clearly articulated, one being a natural partner to the other. Other parts of the bushidō philosophy cover methods of raising children, appearance, and grooming, but all this may be seen as part of one’s constant preparation for death, to die a good death with one’s honor intact, the ultimate aim in a life lived according to bushidō.

Bushidō, while exhibiting the influence of Dao through Zen Buddhism, is a philosophy in contradistinction to religious belief, with a deep commitment to propriety in this world for propriety’s sake.

To finish this post i will leave you with the 5 virtues of bushido, but just before let me clarify some thing about those virtues.

Many western web site or even book talk about bushido and it’s 7 virtues and they are a bit different of the ones I’m going to share with you. But from my long martial arts experience and many long discussion with Japanese expert on the subject I came to learn that those 7 virtues are not the real ones of bushido.

The 5 virtues are:

仁  jin Benevolence
義 gi Rectitude
礼  rei Respect
智  chi Wisdom
信  shin Honesty

One material proof of those virtues being really important in bushido, martial arts and Japanese society is the fact that every one of these virtues represent the 5 folds that you can find on the traditional trouser like pants called Hakama.

Japan performance in the Olympics

Japan performance in the Olympics

Tonight will be the last day of the Olympics. I must say I was lucky to be in Canada for the Olympics, It gave me the chance to follow the games live on Canadian TV. Now I have to go back home to Japan but It has being a wonderful experience to be back in Canada for something like the Olympics.

The closing ceremony will follow just after what will maybe be one of the most impressive hockey game in a long time. Canada will play against the USA for the goal medal.

For this Olympic I did follow the Japanese Olympic team and of course the Canadian one. I was really sad that Japan could only get 5 medals during these Olympics. Japan got 3 silver medals and 2 bronze medals. Every Japanese athletes gave their best and gave use a wonderful show!

Here is a resume the event where Japan won:

One silver in Speed Skating – Ladies’ Team Pursuit
Tabata Maki
Hozumi Masako
Kodaria Nao

One silver in Figure Skating – Ladies
Asada Mao

One silver in Speed Skating – Men’s 500 m
Nagashima Keiichiro

One bronze in Figure Skating – Men
Takahashi Daisuke

And one bronze in Speed Skating – Men’s 500 m
Kato Joji

I would like to congratulate all the athletes that gave their best in the Olympics.

A new Olympic medal for Japan

A new Olympic medal for Japan

Japanese figure skating Mao Asada won a silver medal yesterday in figure skating. She became the first woman to land a triple Axel three times in one Olympics.

Asada, the 2008 world champion and the only female who regularly executes the 3.5-rotation jump in competition, nailed one in the short program and two in free skating in her debut Olympics.

The final standing was gold for Korea, silver for Japan and bronze for Canada


source: ctv olympics

Miyamoto Musashi 宮本 武蔵

宮本 武蔵

Miyamoto Musashi was a famous Japanese Samurai. His date of birth or death are still a matter of great debate among Japanese historian or genealogist. But one thing is sure he lived during the keicho era. Most people would know this time period has the early Edo period. This period in Japanese history was one of great change for Japan. Tokugawa Ieatsu was warring to unify and control all Japan. During this period a legend was in the mist of making.

When Musashi was 13,he fought his first dual with a samurai named Arima Kihei. Arima was traveling to aquier more skill in his art. He went to the city of  Hirafuku-mura to accept public chalanges. Musashi saw that and wrote his name had a challenger. A messenger came to the Dorin’s temple, where Musashi was staying, to inform Musashi that his duel had been accepted. Dorin, Musashi’s uncle, was shocked by this, and tried to beg off the duel in Musashi’s name, based on his nephew’s age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. It was saud that Arima was arrogant, overly eager to fight, and not a really talented swordsman. That duel would be  the first in a series of many fight for the young Miyamoto.

In 1600, a war began between the Toyotomi clan and Tokugawa clans.Those tow clans were the major forces in that period. Musashi fought on the  Toyotomi’s side or also known as “the Army of the West”. More precisely, he participated in the attempt to take Fushimi castle by assault in July 1600, in the defense of the besieged Gifu Castle in August of the same year, and finally in the famed Battle of Sekigahara. Some doubt has been cast on this final battle, as the Hyoho senshi denki has Musashi saying he is “no lord’s vassal” and refusing to fight with his father in the battle. After the battle, Musashi disappears from the records for a while. The next mention of him has him arriving in Kyoto at the age of 20 , where he famously began a series of duels against the Yoshioka School. Musashi’s father, Munisai, also fought against a master of the Yoshioka school and won 2 out of 3 bouts in front of the shogun at the time, Ashikaga Yoshiaki who granted him the title of “Best in Japan”. The Yoshioka School was the foremost of the eight major schools of martial arts in Kyoto, the “Kyo-ryū Schools of Kyoto”. Legend has it that these eight schools were founded by eight monks taught by a legendary martial artist resident on the sacred Mount Kurama. At some point, the Yoshioka family also began to make a name for itself not merely in the art of the sword but also in the textile business and for a dye unique to them. They gave up teaching swordsmanship in 1614 when they fought in the Army of the West against Tokugawa Ieyasu in the Battle of Osaka, which they lost. But in 1604, when Musashi began duelling them, they were still preeminent. There are various accounts of the duel

Musashi challenged the master of the Yoshioka School to a duel ,he was a samurai named Yoshioka Seijūrō. On 8 March 1604 Seijūrō accepted, and they agreed to a duel outside Rendaiji in Rakuhoku, in the northern part of Kyoto. Musashi arrived late, which would become on of is famous psychological tactic. By doing so he greatly irritating Seijūrō. They faced off, and Musashi struck a single blow, per their agreement. This blow struck Seijūrō on the left shoulder, knocking him out, and crippling his left arm. He apparently passed on the headship of the school to his equally accomplished brother, Yoshioka Denshichirō, who promptly challenged Musashi for revenge. The duel took place in Kyoto outside a temple, Denshichirō wielded a staff reinforced with steel rings while Musashi arrived late a second time. Musashi disarmed Denshichirō and defeated him. This second victory outraged the Yoshioka clan, whose head was now the 12-year old Yoshioka Matashichiro. They assembled a force of archers, musketeers and swordsmen, and challenged Musashi to a duel outside Kyoto, near Ichijoji Temple. Musashi broke his previous habit of arriving late, and came to the temple hours early. Hidden, Musashi assaulted the force, killing Matashichiro, and escaping while being attacked by dozens of his victim’s supporters. With the death of Matashichiro, this branch of the Yoshioka School was destroyed.

From 1605 to 1612, he travelled extensively all over Japan in Musha Shugyo, a warrior pilgrimage during which he honed his skills with duels. He was said to have used bokken or bokuto in actual duels. Most of the engagements from these times did not try to take the opponent’s life unless both agreed, but in most duels, it is known that Musashi did not care which weapon his foe used such was his mastery. In1607, Musashi departed Nara for Edo, during which he fought and killed a kusarigama practitioner named Shishido Baiken. In Edo, Musashi defeated Muso Gonnosuke, who would found an influential staff-wielding school known as Shinto Muso Ryu. Records of this first duel can be found in both the Shinto Muso-ryu tradition and the Hyōhō Niten Ichi-ryū (Miyamoto Musashi’s school). Musashi is said to have fought over 60 duels and was never defeated, although this is a conservative estimate, most likely not accounting for deaths by his hand in major battles. In 1611, Musashi began practicing zazen at the Myoshinji Temple, where he met Nagaoka Sado, vassal to Hosokawa Tadaoki; Tadaoki was a powerful lord who had received the Kumamoto Domain in west-central Kyūshū after the Battle of Sekigahara. Moving to Kyūshū would lead to one if not the most famous duel in Miyamoto’s life.

The duel whit Sasaki Kojirō

In April, 1612 he would be asked to duel Sasaki Kojirō who was a long-time rival of Miyamoto, and is considered the most challenging opponent Musashi ever faced. Apparently, the young Musashi heard of Kojirō’s fame and asked Lord Hosokawa Tadaoki through the intermediary of Nagaoka Sado Okinaga, a principal vassal of Hosokawa to arrange a duel. Hosokawa assented, and set the time and place as 13 April 1612, on the comparatively remote island of Ganryujima of Funashima. The match was probably set in such a remote place because by this time Kojirō had acquired many students and disciples, and had Kojirō lost, they would probably have attempted to kill Musashi. According to the legend, Musashi arrived more than three hours late, and goaded Kojirō by taunting him. Kojiro’s favored weapon during combat was a straight-edged nodachi with a blade-length of over 90 cm long. As a comparison, the average blade-length of the regular katana are usually 70 cm but rarely longer. It was called the “Monohoshi Zao” (often translated into English as “The Drying Pole”). Despite the sword’s length and weight, Kojirō’s strokes with the weapon were unnaturally quick and precise. When Kojirō attacked, his blow came as close as to sever Musashi’s chonmage. He came close to victory several times until, supposedly blinded by the sunset behind Musashi, Musashi struck him on the skull with his oversized bokken (wooden sword), which was over 90 centimeters long. Musashi supposedly fashioned the long bokken, a type called a suburitō due to its above-average length, by shaving down the spare oar of the boat in which he arrived at the duel with his wakizashi. Musashi had been late for the duel on purpose in order to psychologically unnerve his opponent.

After this duel Miyamoto Musashi fraught in the Osaka castle battle on the Toyotomi clan side against the Tokugawa army. Not long after the Toyotomi clan lost and was decimated, but Musashi did  not died there. He did go to Edo after but the historical account of that period are a bit unclear so I am going to leave them for you to do your own research.

Six years later, in 1633, Musashi began staying with Hosokawa Tadatoshi, daimyo of Kumamoto Castle, who had moved to the Kumamoto fief and Kokura, to train and paint. Ironically, it was at this time that the Hosokawa lords were also the patrons of Musashi’s chief rival, Sasaki Kojirō. While there he engaged in very few duels; one would occur in 1634 at the arrangement of Lord Ogasawara, in which Musashi defeated a lance specialist by the name of Takada Matabei. Musashi would officially become the retainer of the Hosokowa lords of Kumamoto in 1640.
In the second month of 1641, Musashi wrote a work called the Hyoho Sanju Go (“Thirty-five Instructions on Strategy”) for Hosokawa Tadatoshi; this work overlapped and formed the basis for the later Go Rin No Sho. This was the year that his third son, Hirao Yoemon, became Master of Arms for the Owari fief. In 1642, Musashi suffered attacks of neuralgia, foreshadowing his future ill-health. In 1643 he retired to a cave named Reigandō as a hermit to write The Book of Five Rings. He finished it in the second month of 1645. On the twelfth of the fifth month, sensing his impending death, Musashi bequeathed his worldly possessions, after giving his manuscript copy of the Go Rin No Sho to his closest disciple younger brother. He died in Reigandō cave around June 13, 1645.

The Hyoho senshi denki described his passing:
At the moment of his death, he had himself raised up. He had his belt tightened and his wakizashi put in it. He seated himself with one knee vertically raised, holding the sword with his left hand and a cane in his right hand. He died in this posture, at the age of sixty-two. The principal vassals of Lord Hosokawa and the other officers gathered, and they painstakingly carried out the ceremony. Then they set up a tomb on Mount Iwato on the order of the lord.

It is notable that Musashi died of what is believed to be thoracic cancer, and was not killed in combat. He died peacefully after finishing the Dokkodo The Way of Walking Alone,21 precepts on self-discipline to guide future generations. His body was interred in armor within the village of Yuge, near the main road near Mount Iwato, facing the direction the Hosokawas would travel to Edo; his hair was buried on Mount Iwato itself.

Miyamoto Musashi was a samurai, a philosopher, an expert in human psychology, a book writer and an artist. He wrote many incredible book that should be read by everyone, one of which is Go Rin No Sho The book of the five rings.He is also know to have helped in the construction and design of the famous Himeji town and castle.

I will finish this post with some artwork pictures of is drawing and paintings.

.

Kendo 剣道

Today I will write about the beautiful sports or martial art called Kendo

Kendo 剣道 means the way of the sword, ken剣 means sword and do道 means the way of. I started practicing Kendo 5 years ago and I had the wonderful chance of learning and training in Japan for 3 of those years. Kendo for the non initiated would be referred as Japanese fencing.

The origins of Kendo dates back to the early 1100’s which would have being the Kamakura period in feudal Japan. Back then samurai used to train in kenjutsu,  horse riding and archery. Kenjutsu 剣術 means the art of the sword, but jutsu can also mean a life dedication. It was not the primary art that samurai would train but with time and the role of the samurai changed and kenjutsu became the main focus of samurai’s studies. Famous samurai’s established schools of kenjutsu which continued for centuries and which form the basis of kendo practice today. The names of the schools reflect the essence of the originator’s enlightenment. Thus the Ittō-ryū one sword style indicates the founder’s illumination that all possible cuts with the sword emanate from and are contained in one original essential cut. The Mutō-ryu (swordless school) expresses the comprehension of the originator Yamaoka Tesshu, that “There is no sword outside the mind”. The Munen Musō-ryū (No intent, no preconception) similarly expresses the understanding that the essence of kenjutsu transcends the reflective thought process.

In the Edo period the role of the samurai changed from warrior position to a more political figure. The Tokukawa shogunate band the use of sword and the practice of dueling with swords. But the samurai’s could not stop this tradition. Rapidly they started to duel with boken ( woden swords), but even if there was no swords envolve the rate of death due to combat was still really high. A man named Naganuma Sirōzaemon Kunisato  is recognized to be the one that introduce the use of bamboo swords and protective armour in the years 1700’s and kendo was born.

In 1895 Dai Nippon Butoku Kai was established it’s role was to standardize all Japanese martial art. Kendo finally got its name in 1920 because before that it was still referred to as kenjutsu or various names. In 1946 kendo along with other martial arts were banned in Japan by the occupying powers. This was part of the removal and exclusion from public life of militaristic and ultra nationalistic persons in response to the wartime militarization of martial arts instruction in Japan. Kendo was allowed to return to the curriculum in 1950. From there the All Japan Kendo Federation (AJKF or ZNKR) was founded in 1952, immediately following the restoration of Japanese independence and the subsequent lift of the ban on martial arts in Japan. In 1970, the International Kendo Federation (FIK) was founded and kendo could finally be introduce to the world out side of Japan.

Kendo training is quite noisy in comparison to other martial arts or sports. This is because kendōka use a shout, or kiai, to express their fighting spirit when striking. Additionally, kendōka execute fumikomi-ashi, an action similar to a stamp of the front foot, when making a strike. Like some other martial arts, kendoka train and fight barefoot. Kendo is ideally practiced in a purpose-built dōjō, though standard sports halls and other venues are often used. An appropriate venue has a clean and well-sprung wooden floor, suitable for fumikomi-ashi. Modern kendo techniques comprise both strikes and thrusts. Strikes are only made towards specified target areas: on the wrists, head or body, all of which are protected by armour. There is also one thrusts which is tsuki, but it is only allowed to the throat. However, since an incorrectly performed thrust could cause serious injury to the opponent’s neck, thrusting techniques in free practice and competition are often restricted to senior dan graded kendoka.

Kendo is a really beautiful sport and it is a fun activity to practice. Of course there is major differences in training in Japan or outside of Japan but over all the road to understanding kendo and mastering kendo can be done anywhere in  the world. You can find really nice videos about kendo on the internet.  Most major cities around the world have kendo dojo’s and are open to new comers. If you’re looking to practice one of the oldest form of Japanese martial art I would say Kendo is for you.

  • May 2024
    M T W T F S S
     12345
    6789101112
    13141516171819
    20212223242526
    2728293031  
  • Join 21 other subscribers
  • Gaijinlife writers